Fellowships, Awards and Residencies

2021-22

Artist in Residence, Burchfield Penney Art Center, Buffalo, NY

2020

Artist in Residence, Hauser and Wirth Gallery, Somerset, UK

2019

• Artist in Residence, Hauser and Wirth Gallery, Somerset, UK.
• Adler Family Fellowship, Williams College, Williamstown, MA

2017

Artist in Residence, Hauser and Wirth Gallery, Somerset, UK

2011

• Fellow, Blue Mountain Center, Blue Mountain Lake, NY
• Faculty World Fellowship, Williams College, Williamstown, MA

2007

Faculty World Fellowship, Williams College, Williamstown, MA

2005

New England Museum Association: First place in book category for Travel Light

2004

• Americans for the Arts, Public Art Network, Year in Review selection
• Art in America Magazine, Public Art Year in Review Selection
• Fellow, Liguria Study Center for the Arts and Humanities, Bogliosco, Italy

2000

Resident artist, Dorland Mountain Artist Colony, Temecula, CA

1996

Fellow, painting, John Simon Guggenheim Memorial Foundation

1989

Recipient, Awards in the Visual Arts 9

1981

National Endowment for the Arts Fellowship, Drawing

1976

• Berkshire Museum Traveling Fellowship, Pittsfield, Massachusetts
• Royal Society of the Arts Award, London

Permanent Installations

2021

Somerset, Wachenheim Science Center, Williams College, Williamstown, MA

2014

• Dutchman’s Pipe, City Hall Annex, City of Cambridge MA
• Lake Bascom, ’62 Center for Theater and Dance, Williams College, Williamstown, MA

2014

Art in Embassies, U.S. Department of State, Permanent, Collection of the U.S. Consulate, Guayaquil, Ecuador

2009

Art in Embassies, U.S. Department of State, Permanent Collection of the U.S. Embassy, Quito, Ecuador

2004

• Town Green, City Hall Annex, City of Cambridge, MA
• Travel Light, Berkshire Development Corporation in collaboration with Mass Moca, North Adams, MA

1999

Memorial for Goerdeler, In collaboration with Jenny Holzer, City of Leipzig, Germany

Solo Exhibitions

2023

• “Nature’s Thought Palaces: Daniella Dooling and Mike Glier”, Bill Arning Exhibitions, Kinderhook, NY
• “Mike Glier and Karl Haendel”, The Suburban, Milwaukee, WI

2022-23

• Cynthia Reeves Gallery, Installation at the Ritz Carlton, Miami Beach 

2021

• “Bird Songs of the Boston Public Gardens”, Krakow Witkin Gallery, Boston, MA
• “An Open Season”, Downing Yudain Gallery, North Stamford, CT
• “The Forests of Antarctica”, Cynthia Reeves Gallery at Ritz Carlton Residencies, Miami FL
• “The Prizes”, Cynthia Reeves Gallery at Ritz Carlton Residencies, Miami FL
•  “The Forests of Antarctica”, Turning Art at 440 Ninth Ave, NY, NY

2019

“Bird Songs of the Acequias”, Gerald Peters Gallery, Santa Fe, NM, e-catalog

2016

•  “Mike Glier: The Alphabet of Lili”, A survey of painting featuring the Alphabet of Lili, Philbrook Museum, Tulsa OK
• “Meander, Because You Can’t See Much While Marching: Mike Glier, A 35 Year Survey”, Richmond Center for the Visual Arts, Western Michigan University, Kalamzoo, MI

2014

•  “Meander, Because You Can’t See Much While Marching: Mike Glier, A 35 Year Survey”, Opalka Gallery, The Sage Colleges, Albany, NY. Catalog. Travels to: Richmond Center for the Visual Arts, Western Michigan University, Kalamzoo, MI.
• “Glenorchy”, Gerald Peters Gallery, Santa Fe, NM, e-Catalog 

2012

• “Antipodes: New Zealand”, Barbara Krakow Gallery, Boston, MA
• “With All the Holes in You Already There’s No Reason to Consider the Outside Environment as Alien”; Gerald Peters Gallery, NY, NY, e-Catalog

2011

• “Antipodes: Botswana and Hawaii”. Gerald Peters Gallery, Santa Fe, NM. Catalog

2009

• “Along a Long Line”, Gerald Peters Gallery, Santa Fe. Book
• “Along a Long Line”, Gerald Peters Gallery, New York. Book
• “Along a Long Line”, Williams College Museum of Art
• “Berkshires”, Williams Club, NY

2004

• “Backyard” Barbara Krakow Gallery, Boston
• “Backyard” Cambridge Arts Council Gallery, Cambridge, MA

2003

• Williams Club, New York. Installation
• “1 Long Sentence of 42 Drawings and Clubs beginning with Wink Martindale and Ending with Clement Greenberg”. Hollins University, Roanoke, VA

2000

• “Full Moon on the Hoosick”, Wall Drawing at Massachusetts Museum of Contemporary Art, North Adams, MA

1998

• “The Alphabet of Lili”, Mitchell Museum at Cedarhurst, Mt. Vernon, Illinois
• “Satisfaction Drawings”, Southern Vermont Art Center, Manchester, VT 

1997

• “Garden Court”, PPOW Gallery, New York
• “Garden Court”, North Dakota Museum of Art, Grand Forks, ND
• “Garden Court”, Emily Davis Gallery, University of Akron, Akron, Ohio
• “Garden Court”, Ulrich Museum of Art, Wichita State University

1996

• “Garden Court”, Williams College Museum of Art
• “Garden Court”, Cincinnati Contemporary Art Center
• “Garden Court”, John Michael Kohler Arts Center, Sheboygan, WI

1995

“Garden Court”, Tyler Galleries, Tyler School of Art, Elkins Park, Pa, Catalog; Cincinnati Contemporary Art Center; Williams College Museum of Art; John Michael Kohler Arts Center, Sheboygan, WI; Ulrich Museum of Art, Wichita State University; Emily Davis Gallery, University of Akron, Akron; North Dakota Museum of Art, Grand Forks, ND

1994

“Garden Court,” Josh Baer Gallery, New York

1992

• “Mike Glier,” Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
• “Alphabet of Lili”, The Drawing Center, New York; Travels to: Santa Monica Museum of Art, California; North Dakota Museum of Art, Grand Forks; University Gallery, University of Massachusetts at Amherst; Wexner Center for the Arts, Ohio State University, Columbus; Ringling School of Art and Design, Sarasota, Florida; University of Alabama, Tuscaloosa. Catalog

1990

• “Drawn to Scale,” (with Cynthia Carlson and Randy Twaddle), Addison Gallery, Philips Academy, Andover, Massachusetts. Catalog

1989

• “Satisfaction”, Barbara Gladstone Gallery
• “Mike Glier,” Two First Union Center, Charlotte, North Carolina (sponsored by Spirit Square Center for the Arts). Installation
• “Mike Glier:  Recent Drawings,” San Jose Museum of Art, San Jose, California. Artist book, Satisfaction, published in collaboration with Hallwalls, Buffalo
• “Green: Wall Drawings by Mike Glier,” Wave Hill, Bronx, New York. Brochure
• “Nature Studies,” Lake George Arts Project, Courthouse Gallery, Lake George, New York

1988

• “Mike Glier: Ten Years,” Hallwalls, Buffalo, New York. Artist Book, Satisfaction, published in collaboration with San Jose Museum of Art

1987

• “Projects: Mike Glier,” The Museum of Modern Art, New York, Installation. Brochure
• “Wallworks: Mike Glier,” Williams College Museum of Art, Williamstown, Massachusetts

1986

• “South Africa Drawings,” Washington Project for the Arts, Washington, D.C. Galerie Tanja Grunert, Cologne
• “Wall Drawing,” Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut

1985

• “Witness” Barbara Gladstone Gallery, New York, NY

1984

• “Mike Glier”, Rhona Hoffman Gallery, Chicago
• “Calling Women”, Barbara Gladstone Gallery
• “Hair’s Breadth–New Wall Drawings by Mike Glier,” La Jolla Museum of Contemporary Art, La Jolla, California

1983

• “Mike Glier”, American Graffiti Gallery, Amsterdam

1982

• “New Wall Drawings from the Exploding Refrigerator Series with Bugs,” N.A.M.E. Gallery, Chicago

1981

• “White Male Power,” Annina Nosei Gallery, New York
• “Mike Glier”, American Graffiti Gallery, Amsterdam

1980

“Training for Leisure: A Public Display of Collapsed Desire Designed for the Next World’s Fair,” The Kitchen, New York. Installation

Group Exhibitions

2022

• “Keeping Things Whole”, North Loop Gallery, Williamstown, MA
• “Couples”, with Jenny Holzer. Bernay Fine Art, Great Barrington, MA
• “Parks and Recreation”, Bennington Museum
• “Ecophillia”, Berkshire Botanical Garden. Curated by Sue and Phil Knoll
• “Art for the Future”, Tufts University Gallery, Travels to DePaul University,  University of New Mexico, and Stamps Gallery, University of Michigan 

2021

• “Angle of Repose”, Poker Flats Gallery, Williamstown, MA
• “Elemental Abstraction”, Downing Yudain Gallery, North Stamford, CT
• “Be Still”, Bernay Fine Art, Great Barrington, MA
• “Art on Paper”, Bernay Fine Art, Great Barrington, MA
• “Coming into the Light”, Williamstown Cultural District, MA

2020

• “Summertime”, Bernay Fine Art, Great Barrington, MA

2019

• “Escape”, Davis Gregory Art, Great Barrington, MA

2018

• “Squared”, Geoffrey Young Gallery, Great Barrington, MA
• “Ecophilia”, Berkshire Botanical Garden, Stockbridge, MA
• “Chromalicious”, Geoffrey Young Gallery, Great Barrington, MA
• “Parallel Realities”, Collarworks Gallery, Troy NY
• “The Lay of the Land: Contemporary Landscapes from the Collection”. Smith College Museum of Art, Northampton, MA

2016

• “Rhona Hoffman 40 Years, Part 2”, Rhona Hoffman Gallery, Chicago IL
• “Miami Project 5”, Walker Waugh Gallery, Miami Beach, FL
• “Small Works”, Gerald Peters Gallery, Santa Fe, NM
• “Blue, Orange and Black”, Geoffrey Young Gallery, Great Barrington, MA
• “Introductions”, curated by Roberto Juarez, La Mama Gallery, NY
• “Pattern Recognition”, Jack Olson Gallery, Northern Illinois University, DeKalb, IL

2015

• “Janet Echelman, Mike Glier and Joyce Silverstone”, Castle Hill Center for the Arts, Truro, MA
• “Climate Contemporary”, Lake George Project for the Arts, Lake George, NY

2014

• “The Real Estate Show: 1980” James Fuentes Gallery, NY, NY
• “RESx”, ABC No Rio, NY, NY
• “No City is an Island”, The Lodge Gallery, NY, NY

2013

• “Collage”, Gerald Peters Gallery, New York
• “August a Daze”, Geoff Young Gallery, Great Barrington, MA
• “An Armory Show” Opalka Gallery, The Sage Colleges, Albany, NY. Curated by Michael Oatman and Ken Ragsdale
• “Tell it To My Heart: Collected by Julie Ault”, Artists Space, New York
• “Tell it To My Heart: Collected by Julie Ault”, Culturgest, Lisbon, Portugal 

2012

• “Times Square Show Re-visited”, Hunter College, NY (reinstallation of wall drawing created for original Times Square Show, 1980)
• “Disquietude”. Geoffrey Young Gallery, Great Barrington, MA
• “Tell it To My Heart: Collected by Julie Ault”, Kunstmuseum Basel, Museum fur Gegenwartskunst, Basel, Switzerland. 

2011

• “Face to Face”, Gerald Peters Gallery, Santa Fe, NM
• “Art, Access & Decay: New York 1975 – 1985”, Subliminal Projects, Los Angeles, CA
• “Double Vision”, Geoffrey Young Gallery, Great Barrington, MA
• “Shared Sensibilities: The Art of Sol Lewitt and His Friends”, Mattatuck Museum, Waterbury, CT
• “Collaborative Projects”, Printed Matter, Inc. NY, NY

2010

• “That is Then This is Now CUE Foundation”, NY, Curated by Robert Storr and Irving Sandler
• “GP Modern: Artists Perspectives”, Gerald Peters Gallery, Santa Fe
• “Perceiving Place”, Fosdick-Nelson Gallery, NYSCC at Alfred University

2009

• “Case Sensitive”, Geoffrey Young Gallery, Great Barrington, MA, with Zohar Lazar and Katharine Bradford
• “Champagne and Baloney”, Jeff Bailey Gallery, New York
• “Badlands: New Horizons in Landscape”, Massachusetts Museum of Contemporary Art, Catalog, MIT Press

2007

• “The Place of Things”, Geoffrey Young Gallery, Great Barrington, MA

2006

• “Black & White”, Hal Bromm Gallery, New York, NY

2001

• The Hudson Mohawk Regional Exhibition. Installation of 5 wall drawings entitled, “Peonies and Wasps”. Albany Museum of History and Art.
• Carl Solway Gallery, Cincinnati, Ohio, Blooming: A Summer Garden for the Pickin

2000

• “The Flower Show”, Aberystwyth Art Centre, Wales
• “The Flower Show”, Pump House Gallery, Chelsea, London
• “The Flower Show”, Nottingham Castle Museum, Nottingham, England

1999

• “The Flower Show”, Fruitmarket Gallery, Edinburgh, Scotland
• “Williams and Bennington College Faculty Exhibition”, Mass MOCA, North Adams, MA

1998

• “Artist Teacher”, Williams College Museum of Art, Williamstown, MA
• “After Eden: Garden Varieties in Contemporary Art”, Middlebury College Museum of Art

1996

• “Cultural Economies”, The Drawing Center, NY, NY, Catalog
• “Faculty Exhibition”, Willliams College Museum of Art, Williamstown, MA“
• Jenny Holzer and Mike Glier”, French Art Colony, Gallipolis, OH
• “Watercolor”, PPOW Gallery, NYC

1995

• “Alternatives: 20 years of Hallwalls Contemporary Art Center 1975-1995”, Burchfield – Penney Art Center, Buffalo, NY, Catalog
• “News, Surprise and Nostalgia”, Hunter Galleries, Hunter College, NY. Catalog
• “Beyond the Male Pale”, John Michael Kohler Arts Center, Sheboygan, WI
• “On Beyond the Book”, Forum for Contemporary Art, St. Louis, MO

1994

• “Paintings,” Rhona Hoffman Gallery, Chicago
• “Gardens,” Barbara Krakow Gallery, Boston

1992

“c. 1980”, Barbara Gladstone Gallery, New York

1991

• “Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida”, National Gallery of Art, Washington D.C.
• “After the  Apocalypse: A Different Humanism,” South Eastern Center for Contemporary Art, Winston-Salem, North Carolina, August 24-October 3
• “News as Muse”, School 33 Art Center, Baltimore, curated by Mark Barry
• “The Rage of Children”, Miami-Dade Community College, Center Gallery, Miami
• “Portraits”, Robert Miller Gallery, New York

1990

• “Awards in the Visual Arts 9,” Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, Catalogue. Traveled to: New Orleans Museum of Art, New Orleans, LA; Arthur M.Sackler Museum, Harvard University, Cambridge, Massachusetts; BMW Gallery, New York
• “Word as Image–American Art 1960-1990,” Milwaukee Museum of Art, Milwaukee, Catalogue. Traveled to Oklahoma City Arts Museum and Contemporary Arts Museum, Houston
• “Botanica: The Secret Life of Plants,” Lehman College Art Gallery, Bronx, New York, Pamphlet
• “The Eighties: A Post Pop Generation”, Southern Alleghenies Museum of Art, Loretto, PA, 1990;
• Althea Viafora Gallery, March 3-31

1989

• “Nocturnal Visions in Contemporary Painting,” Whitney Museum of American Art at Equitable Center, New York
• “Suburban Home Life:  Tracking the American Dream,” Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, Catalog
• “The Center Show,” The Center, New York
• “Wave Hill,” The Bronx, New York
• “A Decade of Pop,” LaForet Museum, Tokyo, Japan
• “Politics”, Group Material at DIA Art Foundation, New York

1988

• “Works on Paper,” Nina Freudenheim Gallery
• “Committed to Print,” The Museum of Modern Art, New York. Catalog
• “Democracy” collaboration with Group Material at DIA Art Foundation, New York

1987

• “Resistance (Anti-Baudrillard),” White Columns, New York (curated by Group Material)
• “The Other Man: Alternative Representations of Masculinity,” The New Museum of Contemporary Art, New York, Brochure
• “Romance,” Knight Gallery, Spirit Square Center for the Arts, Charlotte, North Carolina, Catalog
• “Drawings from the Eighties: The Chatsworth Collaboration,” Carnegie-Mellon University Art Gallery, Pittsburgh
• “The Constitution,” Temple University Art Gallery, Philadelphia, Pennsylvania   (Collaboration with Group Material)
• “Black and White,” General Electric Company (loaned by the Art Advisory Service of The Museum of Modern Art, New York)

1986

• “Investigations,” Institute of Contemporary Art, University of Pennsylvania, Philadelphia. Catalog
• “Walls,” Norton Gallery of Art, West Palm Beach, Florida
• “Drawn Out,” Spectrum Series, Corcoran Gallery of Art
• “Drawings,” Knight Gallery, Spirit Square Art Center, Charlotte, North Carolina
• “Wallworks,” John Weber Gallery, New York
• “The First Decade,” The Freedman Gallery, Albright College, Reading, Pennsylvania
• “Liberty and Justice for All,” Alternative Museum, New York. Catalog
• “MASS,” The New Museum of Contemporary Art, New York. Catalog

1985

• “The Public Art Show,” Nexus Contemporary Art Center, Atlanta, Georgia. Traveling, Catalog
• “Ecrans Politiques,” Musee d’Art Contemporain de Montreal
• “Black and White,” Los Angeles Institute of Contemporary Art
• “Figure It Out:  Exploring the Figure in Contemporary Art,” Laguna Gloria Art Museum,” Austin, Texas
• Large Drawings,” Bass Museum of Art, Miami, Florida. Traveling, Catalog

1984

• “The Shadow of the Bomb,” Fine Arts Center, University of Massachusetts at Amherst
• “Contemporary Triptychs,” Edith C. Blum Art Institute, Bard College Center, Annandale-on-Hudson, New York
• “Drawings: After Photography,” Allen Memorial Art Museum, Oberlin College, Ohio. Traveling
• “Sydney Biennale,” Art Gallery of New South Wales, Sydney, Australia. Catalog
• “Painting and Sculpture Today 1984,” Indianapolis Museum, Indiana. Catalog
• “Idees,” Galerie Tanja Grunert, Stuttgart. Catalog
• “Call and Response: Art on Central America,” Colby College, Waterville, Maine
• “Visions of Childhood: A Contemporary Iconography,” Whitney Museum of American Art, New York, Downtown Branch. Catalog
• “Apocalyptic Visions: The Bomb in Recent American Art,” Mt. Holyoke College Art Museum, South Hadley, Massachusetts. Catalog
• “Body Politic,” Tower Gallery, New York
• “Disarming Images: Art for Nuclear Disarmament,” Contemporary Art Center, Cincinnati. Traveling
• “Art in the ‘80’s: Post Avant Garde,” Middlebury College, Johnson Gallery, Vermont
• “American Neo-Expressionists,” The Aldrich Museum, Ridgefield, Connecticut. Catalog
• “50/50 Artists Call,” Leo Castelli Gallery, New York
• “Time Line,” P.S. 1, Institute for Art and Urban Resources, Long Island City, New York
• “Ansatzpunkte Kritischer Kunst Heute,” Bonner Kunstverein, Bonn, Germany
• “Art as Social Conscience,” Bard College, Annandale-on-Hudson, New York
• “Drawings!,” Barbara Toll Gallery, New York
• “BAM — Next Wave,” Sperone Westwater, New York (collaborations for 1984 BAM Next Wave” series)
• “Olympiad: Summer 1984,” Koplin Gallery, Los Angeles
• “New Talent/New York,” Sioux City Art Center, Iowa. Traveling

1983

• “1983 Biennial,” Whitney Museum of American Art, New York. Catalog
• “Artist/Critic,” White Columns, New York
• “Back to the USA,” Kunstmuseum Lucerne. Traveling, Catalog
• “Art and Social Change, USA,” Allen Memorial Art Museum, Oberlin, Ohio. Catalog
• “Compassionate Images,” Herron Gallery, Indianapolis, Indiana
• “New Directions for the Michener Collection,” Huntington Gallery, University of Texas at Austin
• “The War Show,” University of New York at Stony Brook
• “On the Revolutionary Power of Women’s Laughter,” Protetch-McNeil Gallery, New York. Catalog
• “Putting on the Ritz,” Washington Project for the Arts, Washington, D.C. Young Hoffman Gallery, Chicago

1982

• “New New York,” Florida State University at Tallahassee. Traveling,  Catalog
• “New Figuration in America,” Milwaukee, Wisconsin
• “Anti-Nuke Show,” Ben Shawn Gallery, William Patterson College, New Jersey
• “A Few Good Men,” Portland Center for the Visual Arts, Oregon
• “Wallworks,” Fisher Gallery, University of Southern California, Los Angeles
• “Urban Kisses,” Institute of Contemporary Arts, London. Banff Gallery, Banff, Alberta, Canada
• “The Ronald Reagan Show,” P.S. 1, Institute for Art and Urban Resources, Long Island City, New York
• “Face It: 10 Contemporary Artists,” Contemporary Arts Center, Cincinnati. Traveling. Catalogue

1981

• “Schemes / A Decade of Installation,” Elise Meyer Gallery, New York
• “Consumerism,” Group Material, New York. Lisson Gallery, London
• “Represent Representation Representative,” Brooke Alexander Gallery, New York
• “Sexism and Racism,” University of Massachusetts, Amherst. Traveling
• “The Two Suitcase Show — An Exhibition of Great Economy,” (organized with Collaborative Projects, Inc.), And/Or, Seattle
• “The Anxious Figure,” Semaphore Gallery, New York
• “New York in Black and White,” The Museum of Modern Art, New York
• “Public Address,” Annina Nosei Gallery, New York
• “The Drawings and Paintings on Paper,” Annina Nosei Gallery, New York

1980

• “The Dog Show,” Robin Winters, New York
• “New Work from New York”, Lisson Gallery, London
• “New”, Annina Nosei Gallery, New York
• “Stupid Victor Mural,” Times Square Show, New York
• “Vigilance: Strategies for Social Concern,” Franklin Furnace, New York
• Printed Matter, New York. Window Installation
• “Macho, Macho, Hot Cha Cha,” Mason Gross School of the Arts, New Jersey. Window Installation
• “The Landlord Show,” Delancey Street, New York
• Collaborative Projects Christmas Show, Brooke Alexander Gallery, New York

1979

• CAGE Exhibition, Cincinnati Contemporary Art Center, Ohio
• Manhattan Psychiatric Center Sculpture Garden, Ward’s Island, New York. Installation

Publications

• Mike Glier: Open Season, with an essay, “Impromptu: Mike Glier and the Field Notes” by Valerie Ann Leeds.  Downing Yudain, LLC. Digital Catalog, 2021
• Bird Songs of the Acequias, Gerald Peters Gallery, Digital Catalog, 2019.
• Meander, Because You Can’t See Much While Marching: Mike Glier a 35 Year Survey, with Essays by David Breslin, Thomas Crow, and Lucy Lippard, with interview by Elizabeth Greenberg, Opalka Gallery, The Sage Colleges, Albany, NY, 2014.
• Glenorchy, Gerald Peters Gallery, Essay by Leslie Van Gelder, Digital Catalog, 2014.
• With All the Holes in You Already, There is No Reason to Define the Outside Environment as Alien, Gerald Peters Gallery, Essay by David Breslin, Digital Catalog, 2012.
• Glier, Mike, Along a Long Line, Hard Press Editions, Lenox, MA, 2009. 
• Glier, Mike, Garden Court, In conjunction with exhibition, (with contributions from Laylah Ali, Doug Ashford, Jane Dickson, Anne Hamilton, Jenny Holzer, Sol LeWitt, Lucy R. Lippard, Roland Merulo, Kiki Smith, Lynn Tillman, and others) Temple University, Tyler School of Art, 1995. 
• Glier, Mike, The Alphabet of Lili, in conjunction with exhibition, The Drawing Center, New York, 1995.
• Glier, Mike, Satisfaction, In conjunction with exhibition, Hallwalls Contemporary Art Center, Buffalo, NY, and The San Jose Museum of Art, 1988.
• Glier, Mike, “Working Watteau”, Artforum, April, 1988.
• Glier, Mike, “Patience, Observation, and Investigation: Learning from Audubon”, Artforum, April, 1982.
• Glier, Mike, White Male Power: Senators, Game Show Hosts, National Monuments, Clergy, etc, Self-Published, 1981.
• Glier, Mike, “The 1979 Dime Store Figurine”, Artforum, April, 1980.

Selected Public and Corporate Collections

• Addison Gallery of American Art, Andover, MA
• Albright Knox Museum, Buffalo, NY
• Clark Art Institute, Williamstown, MA
• Fidelity Real Estate Company, Boston
• Goldman Sachs
• Johnson and Johnson
• JP Morgan Chase Bank
• Kalamazoo Institute of Arts
• LeWitt Collection, Chester, CN
• Massachusetts Museum of Contemporary Art, North Adams, MA
• Merrill Lynch
• Minneapolis Institute of Arts
• Museum of Modern Art, New York
• National Portrait Gallery, Smithsonian Institution
• Norton Gallery of Art, West Palm Beach, Florida
• San Diego Museum of Art, CA
• U.S. Trust Company of New York
• Wadsworth Atheneum, Hartford, CN
• Williams College Museum of Art, Williamstown, MA

Curatorial and Design

2002

• “Purple Pop, H. Lee Hirsche,” Williams College Museum or Art, Williamstown, MA

1999

• “1999 Hudson Mohawk Regional Exhibition,” Albany Institute of History and Art

1998

• “Regional Issues: Painting,” NOBIAS, North Bennington, VT

1997

• “Who Are These People, What Are They Doing and Why Are They Here?” Williams College Museum of Art, Williams College, MA

1995

• “I Love My Time: Contemporary Art from the Permanent Collection,” Williams College Museum of Art, Williamstown, MA

1990

• “Drawings from the Permanent Collection”, Addison Gallery, Philips Academy, Andover, Massachusetts. In conjunction with the exhibition, “Drawn to Scale”, curated by Jock Reynold
• “Natural Wonders”, Co-curated with Rod Faulds and Karen McCoy, Williams College Museum of Art, Williamstown, MA

1985

• Illustrations published in New York Times Magazine, Sept. 1, 1985, February 15, 1985 (cover)

1980-84

• Designer for Printed Matter Inc. mail order artist book Catalogs

1982

• Collaborative Projects Mail Order Catalog. Editor and designer

1981

• “The Two Suitcase Show: An exhibition of Great Economy.” An exhibition of the work of members of Collaborative Projects Inc.  And/Or Gallery, Portland, Oregon

1980

• “Show”, 515 Broadway. Co-curated with Jenny Holzer and Gail Vachon
• “Vigilance: Strategies for Social Concern,” Franklin Furnace, New York (a book exhibition). Co-curated with Lucy Lippard

Selected Additional Visiting Artist / Lecturer Engagements

Professional Experience

Additional Experience

Professional Associations