Mike Glier
July 21, 2009: Elephant Tracks at Nxai Pan, Botswana, 90° F2009, oil aluminum panel, 24"x36"
July 21, 2009: Nxai Pan, Botswana, 90° F2009, oil aluminum panel, 24"x36"
July 20, 2009: Baobab Trees in the Evening, Gweta, Botswana, 78°F2009, oil aluminum panel, 24"x36"
July 11, 2009: Women's Rock, Kumakwane, Botwana, 70° F2009, oil aluminum panel, 24"x36"
July 26, 2009: Giraffe, Tuli Block, Botswana, 78° F2009, oil aluminum panel, 24"x36"
August 14, 2009: Morning Tsodilo Hills, Botswana, 78°F2009, oil aluminum panel, 24"x30"
August 4, 2009: Zebra, Maun, Botswana. 82° F2009, oil aluminum panel, 24"x36"
August 15, 2009: Maun Flood, Botswana, 78° F2009, oil aluminum panel, 36"x45"
August 8, 2009: Waterbug, Okavango Delta, Botswana2009, oil aluminum panel, 36"x45"
August 6, 2009: Saddle-billed Stork, Okavango Delta, Botswana2009, oil aluminum panel, 40"x50"
Lagoon, okavango delta, 20092009, pencil, paper, 9"x12"
Red Lechwe, Okavango, Botswana2009, pencil, paper, 9"x12"
August 7, 2009: Crane, Okavango Delta, Botswana2009, pencil, paper, 9"x12"
Okavango, Botswana2009, pencil, paper, 12"x16"
August 11, 2009: Vervet Monkey, Okavango Delta, Botswana2009, pencil, paper, 9"x12"
Okavango Delta, Red Lechwe, Botswana2009, pencil, paper,12"x16"
August 6, 2009: Elephant at Night, Okavango, Botswana2009, Gouache, paper, 10"x14"
May 27, 2010, Puna Coast, Hawaii, 78°F2010, oil on aluminum panel, 40"x50"
June 18, 2010: Evening Surf, Puna Coast, Hawaii, 75°F2010, oil on aluminum panel, 40"x50"
June 9, 2010: Onomea Bay, Hawaii, 78°F2010, oil on aluminum panel, 24"x30"
June 10, 2010: Afternoon Shower, Puna Coast, Hawaii, 72°F2010, oil on aluminum panel, 24"x30"
July 3, 2010: Monkey Pod Tree, Puna Coast, Hawaii. 82°F2010, oil on aluminum panel, 24"x30"
June 17, 2010: Evening, Puna Coast, Hawaii, 75°F2010, oil on aluminum panel, 24"x30"
July 15, 2010: Io Scattering Mynas, Puna Coast, Hawaii, 78°F2010, oil on aluminum panel, 24"x30"
June 21, 2010: Fern Trees, Volcano, Hawaii, 68°F2010, oil on aluminum panel, 24"x30"
July 4, 2010: Kalapana, Hawaii, 80°F2010, oil on aluminum panel, 24"x30"
May 25, 2010: Bird Song, Puna Coast, Hawaii, 67ºF2010, oil on aluminum panel, 30"x24"
February 15, 2012: Rees Valley, New Zealand2012, oiled charcoal on acrylic primed paper, 45"X45"
February 15, 2012: Rees Valley, New Zealand2012, oil on aluminum panel, 60"x60"
February 15, 2012: Rees Valley, New Zealand2012, oiled charcoal on acrylic primed paper and acrylic paint, 40"x60"
February 15, 2012: Rees Valley, New Zealand2012, oil on aluminum panel, 45"x60"
February 1, 2012: Diamond Lake Marsh, Glenorchy, New Zealand2012, Oiled charcoal on acrylic primed paper, acrylic, mounted on aluminum, 45"x60"
February 1, 2012: Diamond Lake Marsh, Glenorchy, New Zealand2012, oil on aluminum panel, 45"x60"
March 7, 2012: Above Routeburn Falls, New Zealand2012, oil on aluminum panel, 48"x72"
March 7, 2012: Low Clouds above Routeburn Falls, New Zealand2012, oil on aluminum panel, 40"x60"
March 7, 2012: Mt. Xenicus, New Zealand2012, oil on aluminum panel, 40"x60"
February 6, 2012: Routeburn, New Zealand, 76°F2012, oil on aluminum panel, 40"X50"
February 17, 2012: Mt. Earnslaw, New Zealand, 70°F2012, oil on aluminum panel, 24"x30"
January 16, 2012: Wind, Lake Wakatipu, New Zealand, 66°F2012, oil on aluminum panel, 24"x30"
January 24, 2012: Mt. Alfred, Glenorchy, New Zealand, 72°F2012, oil on aluminum panel, 24"x30"
March 1, 2012: Lake Wakatipu, New Zealand, 55°F2012, oil on aluminum panel, 40"x50"
January 27, 2012: Routeburn, Mt. Aspiring National Park, New Zealand, 54°F2012, oil on aluminum panel, 24"x30"
January 15, 2012: Summer Snow, Glenorchy, New Zealand, 42°F2012, oil on aluminum panel, 24"x30"

Antipodes is a road trip to write, photograph and paint in landscapes on opposite points of the globe. In the summer of 2009, I traveled to Botswana, and in May of 2010, to its antipode, Hawaii. In 2012 the project continued with a visit to New Zealand; the trip to its antipode, Spain, is yet to be realized. The purpose, besides satisfying my curiosity and attempting to make a few memorable paintings, is both to respond to specific places and to visualize the earth. If the environment is to remain fit to inhabit, we must simultaneously preserve our neighborhoods and consider the global consequences of our actions. To stretch one’s perception from the local to the global is a feat that requires imagination and empathy. It’s also a challenge that defines our time. Antipodes is an attempt to represent this challenge.

Antipodes is the third part of a larger, outdoor painting project. The first part, Latitude, is a series of paintings made in one place over time to study the change of color, light and motif as the earth tilts on its access. The second part, Along a Long Line, is a set of paintings and a book recording a trip along the 70th longitude beginning at the Arctic Circle and ending at the equator. Marking a point, drawing an arc and implying a diameter, these three projects visualize the earth as a shared space, sectioned by scientific measure rather than political boundaries.

Artworks